500 150 – Tamron 150-500mm f/5-6.7 Di III VC VXD Field Test Tamron’s new telephoto zoom offers impressive performance and excellent value for money.
This image was converted and edited in Adobe Camera Raw. Click on the full size image. Click here to view the RAW file.
500 150
Earlier this year, Tamron announced a new telephoto zoom for Sony full-frame mirrorless cameras, the Tamron 150-500mm f/5-6.7 Di III VC VXD (model A057). This new E-mount lens offers a surprisingly compact and lightweight design for an ultra-telephoto zoom lens.
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We recently had the opportunity to pick up the Tamron 150-500mm lens paired with the Sony A7R IV. During my use of the lens, it consistently impressed me in terms of optical performance and autofocus.
The lens works well in many situations if you have enough light to allow a slightly slow maximum aperture. I mainly use the lens for wildlife photography, although it can work well for landscapes too. I didn’t get a chance to test the lens for sports photography, but given its autofocus performance, I think it would do well there too, at least during the day.
Perhaps the most impressive thing about the Tamron 150-500mm is that it offers high-end performance at a very affordable price. The lens costs $1,400, which isn’t cheap, but it’s a great price in the ultra-telephoto zoom lens space. The lens is an excellent value, especially considering how well it performs in the field. Speaking of which, dive in.
The Tamron 150-500mm Di III VC VXD shares the same design as other recent Tamron lenses. It has a satin black finish, knurled zoom and focus rings, a removable Arca-Swiss tripod mount, and redesigned switches. Lens switches include focus range limiter, AF/MF switch, VC switch and VC mode switch. The lens has a removable lens hood with a rubberized and flexible front that reduces the chance of it cracking or breaking if you bump the front of the hood against something.
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The Tamron 150-500mm lens is quite compact for a full-frame telephoto zoom lens. It has the familiar Tamron design and looks quite good in combination with the Sony A7R IV.
The lens’ large zoom ring has markings for 150, 200, 250, 300, 400 and 500mm focal lengths. Going from 150mm to 500mm only requires a 75-degree rotation, allowing you to quickly switch from longer to longer focal lengths. In terms of focal length, the Flex Zoom Lock mechanism allows you to lock the lens at any focal length, which is convenient. To lock the lens at a specific focal length, slide the zoom ring forward, revealing a white line that tells you the lens is locked. You can also use the lock switch on the right side of the lens to lock it down to 150mm, which is especially useful when traveling.
The Tamron 150-500mm lens gets a bit longer as you zoom from 150mm to 500mm, making the lens a bit bulky.
Closer to the lens mount is the focus ring. The focus ring has a slightly different grooved surface than the zoom ring. The focus ring rotates smoothly, although it doesn’t feel loose. There are no hard stops, so the focus ring spins endlessly.
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Back to the tripod mount, the Arca-Swiss compatible foot is quite nice. The mount feels sturdy and has mounting holes for straps. There are small white dots every 90 degrees to make it easier to lock the tripod mount in certain orientations. The most important aspect of a tripod mount is stability, and the Tamron 150-500 mount proved durable.
The 150-500mm has a wide focal range for a full-frame lens, so it’s no surprise that the Tamron 150-500mm isn’t particularly compact or light. However, it is well balanced on the Sony A7R IV, at least at most focal lengths. At 500mm, the lens feels a little front-heavy. In its smallest form, the lens is 209.6 mm (8.3 inches) long, but when zoomed to 500 mm, the lens extends to 282 mm (11.1 inches). The lens has a maximum diameter of 93 mm (3.7 inches) and has an 82 mm filter thread. The lens weighs 1.88 kg (4.14 lbs).
Before you finish this field test section, consider how the Tamron 150-500mm compares in size and weight to its main Sony-branded competitor, the 100-400mm f/4.5-5.6 GM OSS ($2,500) and 200mm. 600mm f/5.6-6.3G OSS ($2000). Compared to the Tamron lens, the 100-400mm has a shorter range but a faster maximum aperture. The 100-400mm lens weighs 1.39kg (3.08lbs) and is 205mm (8.07in) long. The 200-600mm lens is heavier at 2.12kg (4.65lbs). The lens is also longer at 318mm (12.52 inches). ).
Overall, the build quality of the Tamron 150-500mm Di III VXD lens is impressive, especially for its price. Even at $1,400, the lens has a moisture-proof construction thanks to leak-proof seals on the mount and throughout the barrel at the edges of the rings and seams.
Tamron 150 500mm F/5 6.7 Review: A Little Weird, A Lot Awesome
The Tamron 150-500mm lens has 25 elements in 16 groups. Among these elements are many specialized pieces of glass, including hybrid aspherical elements to control chromatic aberrations. The lens also features Ultra Low Dispersion (XLD), Low Dispersion (LD) and Glass-Molded Aspherical (GM) elements. The lens also features Tamron’s Broadband Anti-Reflective Coating (BBAR-G2) to prevent internal flare, flare and ghosting.
This special glass and sophisticated optical design deliver impressive image quality throughout the entire focal length range. The lens also works with Sony’s in-camera lens correction for shading (vignette), chromatic aberration and distortion. With modern lenses, it can sometimes be difficult to tell exactly what kind of image quality work the camera is doing and how well it is eliminating optical problems. Only the quality of the final image is important. With the Tamron 150-500mm, the final image quality is excellent.
All croppings below are 100% from raw image files converted in Adobe Camera Raw with default settings and built-in lens correction profiles enabled. I chose to show specific images, but you can download full-size raw files for each focal length and aperture combination I tested in the gallery.
At its maximum aperture of f/5, the Tamron 150-500mm lens is sharp enough 150mm across the frame. There’s a bit of softness, at least compared to image quality at f/5.6 and f/8, but it’s usable and overall quite impressive. It’s worth noting that corner sharpness is also good at f/5, which is surprising for a telephoto lens at both extreme focal lengths. There is a slight darkening of the corner (vignette), but it is not very noticeable. I suspect the camera fixes are doing something here.
Hands On Review Of The New Tamron 150 500mm F/5 6.7 Di Iii Vxd Lens
100% cropped bottom right 150mm. Click on the full size image. Click here to view the RAW file.
Stopping down to f/5.6 reveals slightly more detail in the scene. It’s a small improvement, but it can change scenes with very fine details. To my eyes, contrast and overall color also improve a bit by stopping down. Cornering performance remains impressive.
100% cropped bottom right 150mm. Click on the full size image. Click here to view the RAW file.
If you take it a step further and stop down to f/8, a little more detail will be resolved. When stopped, the improvements are still small, but in certain situations they are obvious.
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Overall performance at 150mm is impressive. While stopping down does increase sharpness a bit, at least until around f/11 where you can see diffraction, I wouldn’t hesitate to use this lens wide open if you need background blur or light gathering capabilities.
A 300mm or 297mm Tamron 150-500mm lens to be exact. When shooting wide open at f/5.6, sharpness remains good throughout the frame. Honestly, there’s very little to say about the 300mm that hasn’t been said about the 150mm. The lens delivers good detail, color and contrast throughout the image with no noticeable vignetting or chromatic aberration issues.
100% cropped bottom right 300mm. Click on the full size image. Click here to view the RAW file.
100 lower right corner center blank 300 mm. Click on the full size image. Click here to view the RAW file.
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When buying a telephoto zoom lens, your main concern is probably how the lens performs at, or at least close to, its longest focal length. At 500mm, image quality changes slightly with the Tamron 150-500mm lens.
Center sharpness at a slightly slow f/6.7 aperture is good. Lots of detail is visible and the lens has good aberration control. However, when you go to the extreme corner of the frame, it is a bit softer than the 150mm and 300mm corners. For most subjects shot at 500mm, corner sharpness doesn’t matter much, but it’s something to keep in mind.
100% cropped bottom right 500mm. Click on the full size image. Click here to view the RAW file.
Stopping down to f/8, center sharpness improves slightly, although corner performance remains soft. This is still true at f/11. In fact, at 500mm, there’s not much you can do to improve cornering performance. Well you could
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