Selmer Bass Clarinet Mouthpiece Chart – These were the first of the Selmer mouthpieces produced in the early 1900s. They were labeled “H. Selmer Made in France” they were in a circle on the back of the mouth, and there was a big room.
At that time Selmer ligatures and caps were also marked H. Selmer. They were stamped with very thick copper. Most of them were plated with silver and gold.
Selmer Bass Clarinet Mouthpiece Chart
In the mid 1920’s the back of the muzzle was marked SSS. This shows that they were also made in 1921, around the time of the Selmer Supersex.
Byron Asher’s Bass Clarinet Mouthpiece By Syos
The first air vent had a metal ring around the stem, a large chamber and a small hole. These are popular with classical players but are often considered too ‘dark’ by others. The first version had beautiful flower petals and a metal logo on the back. Even if it only lasted a year or two.
In the late 1920s these models lost the metal band and moved to a scrollwork band around the ankle. The floor was slightly raised. They still kept a large room. In the first year of production the mouthpiece had several lines on the side. Both of his tips were open on the table. Example: Table C.
The steel of this mouthpiece had a deep groove and a medium round chamber. It was the first metal gate that Selmer released in the late 40’s. They all stomped their faces on the table.
At that time, all rubber rooms became small round rooms. The first one on the table was called AIR FLOW. Later, the air flow was removed and the tip hole was placed in an oval shape on the table. They all had a scrollwork shank like the later model soloist, however, the end of the shank was short and stubby. These are very good mouthpieces and the alto model is highly sought after by classical musicians.
Bass Clarinet Mouthpiece Facing Chart
The shape of the metal of this door is very similar to the shape of rubber. Inexplicably, it also retained the exterior of the previous metal model.
Later, the pipe was removed from the outer body except for one on each side of the table. The design of this model has not changed much since its first release. The current version remains unchanged.
The Jazz model was also introduced at the same time. It consisted of a horseshoe-shaped room with an upper floor. Because of this, those mouths were shining.
But it is written on the table. Initially, all metal mouthpieces were made in the same shape: C, C*, D and E. Later this model also has sizes: F, G and H. Below is
Selmer (paris) Focus Bb Clarinet Mouthpiece, New Products From Selmer Paris: Pro Winds
Here is a Selmer mouthpiece ad from 1955 showing an AIRFLOW model. It was just a year before the popular short Soloist model was released in 1956. All rubber mouthpieces of the time had a small round chamber.
In 1956, Selmer introduced a budget line of rubber mouthpieces called the Selmer ELKHART, and a student line of plastic mouthpieces similar in tone and style to the Brilhart Ebolin and Tonalin. called Goldentone. Also released was the CLARION line of crystal clarinets and tenor saxophones.
Meanwhile, Selmer made a rare mouthpiece for Stentor. They had long limbs, an oval tip on the table and a small round chamber (very nearly oval), and they were very good at playing with their mouths.
These are the classic Selmer mouthpieces of the 1950’s. They had small branches that lay almost horizontally on the table and the soloist’s name was engraved on them.
Selmer Bundy Bass Clarinet #43,xxx Ml
The first of them had a circular chamber, like the mouth of Brillheart Ebolin and Tonalin Great Neck NY. The mold had a small area behind the floor (in front of the closet). This fillet has been enlarged by hand to make it more oval.
Later there are horseshoe-shaped mouthpieces known as Selmer short-shank mouthpieces. The previous two versions of this room were built for only a few years. Both jazz and classical players enjoy these gates.
Any mouthpiece with a smaller chamber than this point is called a Larrytail model, and is unique to the LT on the table.
Selmer’s “Soloist” hard rubber model comes in sizes B* to H. For reference “E” is the same as the Otto Link 5, and H is the same as the Otto Link 7*. Selmer mouthpieces from B* to E come in medium length (the distance from the tip of the mouthpiece to where it meets the reed). The larger sizes F, G, and H come with shorter lengths. Therefore, all the large holes had smaller folds than the small holes. It tried to make it easier for them to play. However, this led to severe damage to the underside of the horn.
Rico Rbc1c Bass Clarinet Cap For Selmer Style Mouthpieces
Here is an advertisement for Selmer’s mouthpiece from a 1956 band instrument catalog featuring the first soloist:
The Jazz model remained as the basic model. However, the mouthpiece received a similar band.
Selmer released many different ligatures in the 1950s. The adjustable slide-on ligature fits everything from clarinet to tenor saxophone mouthpieces. The screw-down binding was introduced in 1958. It had a very thick reed plate that gave a deep sound. Their traditional band binding used to have very thick screws. Over time, the pasta softened.
The first hat bore Selmer’s name, and had a pointed tip. Later MADE IN FRANCE was added with their famous logo. The tip of the cap is also flat. Lacquer became lighter in the 1960s.
Selmer Paris 200hs* Standard Series Eb Soprano Clarinet Mouthpiece
These mouthpieces are similar to later short shank models, albeit with longer shanks. The C* model was included in all French Selmer Mark VI saxophones (Paris) made in the early 1960s. Like their short brothers, they were made in B* size (smallest) to H (largest) corresponding to the opening of the tip of the Otto Link 7*.
The Longshank Larry Tail model was identical to the Longshank Soloist on the outside but had a round chamber and was stamped LT on the table.
These mouthpieces resemble long-legged soloists, but the tops are not carved with soloists. The back was also stamped at the opening of the tip. They still had horseshoe-shaped closets. They had less spinning chakra than their soloist brethren, so the sound was deeper.
The soloist gate was first developed in the late 1960s and 1970s. Because they are like soloists, but do not have soloists’ marks, they are called soloists.
Selmer Paris C85 Series Bass Clarinet Mouthpiece 115 Medium/medium
The metal mouth had a long handle and the beginning of the tip was stamped on the back like a rubber equivalent. Selmer’s long-standing classic metal gate remains unchanged today.
These gates were developed in the 1980s. They have a slightly higher floor which gives them more projection and square footage.
The metal mouth remained unchanged until the 1980s. The skin of the jazz model began to soften.
S90 was developed in 1990. They are similar to the mouth of S80 except with a slightly larger square room.
Yamaha 3c Bb Bass Clarinet Mouthpiece
This vocalization was performed by the famous soprano Selmer Soloist. Selmer did a good job with them.
Selmer reissues the famous soloist. They are a copy of the vintage ‘Soloist style’ compared to the old version that said ‘Soloist’ on the table. This mouthpiece is called ‘Soloist’, although it is on the oral side and not carved on the table.
The mouth of the SD20 has a smaller round chamber like the mouth of the LT model, but it also has a higher floor so it projects more. This additional projection makes it oral in the modern classical style. It was created with members of the DIASTEMA Saxophone Quartet.
A spirit creator watching and playing next to a mayor. Although it has a higher frequency, it is considered stronger for jazz. It also has a central hall like the mayor’s office. It was created with Perc Padron, the first French jazz musician. What makes Selmer special is that it is made from a thick bar of solid rubber that is not cast or molded.
Vandoren M13 Series 13 Profile 88 Bb Clarinet Mouthpiece
Selmer departs from its usual design with this gate. It is modern in every way. It’s not just the looks that look modern, but the sound as well. It has more projection than a typical rubber mouthpiece, giving it a very clean sound. Clicking “Sign Up” will take you to the registration page where you can indicate your subscription preferences.
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